Turkish folk songs in Greek musical collections of the late Ottoman era

Evangelia Chaldæaki

doi:10.12975/rastmd.20241213

Araştırma Makalesi

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Kaynak Göster

Turkish folk songs in Greek musical collections of the late Ottoman era

Yıl 2024, Cilt: 12 Sayı: 1, 47 - 61, 30.03.2024

Evangelia Chaldæaki

https://doi.org/10.12975/rastmd.20241213

Öz

During the late Ottoman period, there was a great deal of interest in folk culture. After all, this was a period when the various ethno-religious communities of the Ottoman Empire began to form national states, such as Albania, Bulgaria, Greece, Romania, and Serbia. At the same time, the Ottoman state turned its attention to the Turkish people and began to shape the Turkish national identity in order to create a sense of unity among the Turkish-speaking Muslim community. In this effort to cultivate the national identity of the people, religion and folk culture were fully exploited. This study examines the musical collections published by the Greek Orthodox Christian community of the Ottoman Empire, specifically the Efterpi (1830), Pandora (1843), Mecmua-yı Makamat (1856 & 1872-1873), Kallifonos Sirin (1859 & 1888) and Music Journal (1896) editions. These collections were printed in Istanbul and addressed to Greek-speaking Orthodox Christians. They consist mainly of Greek Orthodox ecclesiastical music, Greek secular music, and some Greek folk songs. Interestingly, the collections additionally include Ottoman music and Turkish folk music. It should be noted that the main language of the collections is Greek, and some Karamanlidika, and the musical transcriptions have been written down in Byzantine notation. This paper presents data on these transcriptions. The songs are transnotated from Byzantine notation to Turkish staff notation. 3 of these transnotations are presented here. After this process, different results are obtained regarding the way the songs were transcribed by the Rum musicians in comparison to their transcriptions by Turkish musicians of a later period.

Anahtar Kelimeler

Greek musical collections, Musical transcriptions from Byzantine notation to Turkish staff notation, Late Ottoman period, Transcriptions of Turkish folk music in Byzantine notation, Turkish folk songs

Kaynakça

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Turkish folk songs in Greek musical collections of the late Ottoman era

Yıl 2024, Cilt: 12 Sayı: 1, 47 - 61, 30.03.2024

Evangelia Chaldæaki

https://doi.org/10.12975/rastmd.20241213

Öz

Anahtar Kelimeler

Turkish folk songs, Late Ottoman era, Greek musical collections, Transcriptions of Turkish folk music in Byzantine notation, Musical transcriptions from Byzantine notation to Turkish staff notation

Kaynakça

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Pneumatika, Α. (1853). Ὁ Βουλγαρο- Φαναριώτης, ἤτοι τὰ ἀπόκρυφα τῶν ἐρωτευμένων νέων καὶ νεανίδων μετὰ διαφόρων ἐρωτικῶν Γραικικῶν καὶ Τουρκικῶν νέων ᾀσμάτων [=O Voulgarophanariotis, meaning the hidden of the young people in love, and also some new love songs in Greek and Turkish]. Istanbul. [In Greek]
Püsküllüoğlu, A. (1975). Türk halk şiiri antolojisi [=Anthology of Turkish folk songs]. Ankara: Bilgi Yayınevi. [In Turkish]
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Vlachakis, N. D. (1870). Ἡ Λεσβία Σαπφώ. Ἤτοι ἀσματολόγιον, περιέχον ἐξωτερικὰ ᾄσματα εἰς ὕφος ἑλληνικόν, εὐρωπαϊκὸν καὶ τουρκικόν, μετενεχθέντα μὲν ἐκ τῆς Κωνσταντινουπολίτιδος εἰς τὴν Λεσβιακὴν γραφήν [=Lesvia Sapho. Meaning a song collection, containing secular songs in Greek, Western and Turkish style, transnotated from the Constantinopolitan to the Lesbian notational system]. Athens: Printing House of Themis I. Sklepas. [In Greek]
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Zografos-Keivelis, Ι. G. (1856). Ἀπάνθισμα ἢ Μεδζμουάι Μακαμάτ, περιέχον μὲν διάφορα Τουρκικὰ ᾌσματα, τονισθέντα ὑπὸ Ἰωάννου Γ. Ζωγράφου Νικαέως καὶ ἐκδοθέντα ὑπ ̓ αὐτοῦ, προσέτι τὴν Ὀδηγίαν τῶν Ῥυθμῶν τῆς Ἀσιατικῆς Μουσικῆς. Ἐπιθεωρηθὲν δέ, ὑπὸ τοῦ μουσικολογιωτάτου κυρίου Σπυρίδωνος Ἀναστασίου τοῦ ἐκ Πεισιδίας [=Mousikon Apanthisma – Mecmua-yı Makamat, containing various Turkish songs, written and published by Ioannis G. Zografos of Nikea, together with a Guide to the Rhythms of Asian Music. The book was reviewed by the musician Spiridon Anastasiou from Pisidia]. Istanbul: Printing Shop of Th. Tividjian. [In Greek]
Zografos-Keivelis, Ι. G. (1872). Μουσικὸν Ἀπάνθισμα (Μεδζμουάι Μακαμάτ) διαφόρων ᾀσμάτων, μελοποιηθέντων παρὰ διαφόρων μελοποιῶν, τονισθέντων μὲν παρὰ Ἰωάννου Γ. Ζωγράφου Κέιβελη καὶ παρ ̓ ἄλλων μουσικοδιδασκάλων, ἐκδοθέντων δὲ ὑπ ̓ αὐτοῦ, περιέχον προσέτι τὴν ὀδηγίαν τῶν Ῥυθμῶν τῆς Ἀσιατικῆς Μουσικῆς [=Mousikon Apanthisma – Mecmua-yı Makamat, a collection of various songs, set to music by various composers, written by Ioannis G. Zografos Keivelis and by other music teachers, published by Keivelis together with a guide to the Rhythms of Asian Music] (Vol. 1). Istanbul: E. Misailidou Printing Shop “I Anatoli”. [In Greek]
Zografos-Keivelis, Ι. G. (1873). Μουσικὸν Ἀπάνθισμα, περιέχον διάφορα Ἑλληνικὰ ᾌσματα, μελοποιηθέντα παρὰ διαφόρων ποιητῶν, ἐκδοθέντα δὲ παρὰ Ἰωάννου Γ. Ζωγράφου Κέιβελη [=Mousikon Apanthisma – Mecmua-yı Makamat, a collection containing various Greek Songs, se to music by various composers, published by Ioannis G. Zografos Keivelis] (Vol. 2). Istanbul: E. Misailidou Printing Shop “I Anatoli”. [In Greek]

Toplam 92 adet kaynakça vardır.

Ayrıntılar

Birincil Dil	İngilizce
Konular	Müzikoloji ve Etnomüzikoloji, Türk Halk Müziğinde Yorumculuk
Bölüm	Orijinal araştırma
Yazarlar	Evangelia Chaldæaki 0000-0003-0398-3711
Erken Görünüm Tarihi	29 Mart 2024
Yayımlanma Tarihi	30 Mart 2024
Gönderilme Tarihi	23 Ekim 2023
Kabul Tarihi	3 Şubat 2024
Yayımlandığı Sayı	Yıl 2024 Cilt: 12 Sayı: 1

Kaynak Göster

APA	Chaldæaki, E. (2024). Turkish folk songs in Greek musical collections of the late Ottoman era. Rast Müzikoloji Dergisi, 12(1), 47-61. https://doi.org/10.12975/rastmd.20241213

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