Araştırma Makalesi
BibTex RIS Kaynak Göster

Moda Müzelerinin Gelişimi ve Moda Sergileri

Yıl 2023, Cilt: 8 Sayı: 2, 877 - 896, 16.12.2023
https://doi.org/10.30785/mbud.1353435

Öz

Moda sergi ve müzeleri; kültürel, sanatsal mirasın korunması, kültürel değerlere olan duyarlılığın artması, estetik ve sanatsal değerlerin yüceltilmesi, dönemin tarz ve üsluplarını ifade etmesi, toplum yaşamına sosyal, kültürel, ekonomik boyutlarıyla ayna tutması, araştırma olanaklarıyla bilgi merkezleri olması açısından önemlidir. Giysi sergileri önceleri tarihi kostümlerle, etnoğrafik sergiler olarak biçimlenirken, çağdaş modacıların eserleriyle, enstalasyonlarla, duyulara hitap eden sergileme ortamlarıyla, yenilikçi, dinamik sergilere dönüşmüştür. Bu kapsamda çalışmada, moda müzelerinin tarihine değinmek, moda sergilerini sınıflamak, tanımlamak ve çağdaş moda müzeciliğini irdelemek ve günümüz moda müzelerinin öneminin altını çizmek amaçlanmıştır. Yapılan betimsel çalışmada, 2000’li yıllardan günümüze giysi-moda sergileri incelenmiş, yerinde gözlem ve saptamalarla mekânsal, içeriksel, biçimsel olarak zenginleşen ve çeşitlenen moda sergileri sınıflandırılmıştır. Moda sergileri, ilgi uyandıran sergi temaları, yeni müzecilik, yeni teknolojiler ile mekan tasarımı ile bütünleşerek özgünlüğü ve biricikliğiyle, ziyaretçilere eşsiz deneyimler yaratmaktadır.

Kaynakça

  • Abitare. (2022). Access Address: https://www.abitare.it/en/architecture/projects/2018/05/02/gucci-garden-florence/ (12,03,2022).
  • Anderson, F. (2000). Museums as Fashion Media. In Fashion Cultures: Theories, Explorations and Analysis, edited by Stella Bruzzi, 371-389, London: Routledge.
  • Antmen, A. (2013). Beyaz Küp ve Ötesi: Postmodern Dönemde Galeri Mekanının Dönüşümü, Beyaz Küpün İçinde, SEL Yayıncılık, İstanbul.
  • Architonic. (2022). https://www.architonic.com/es/story/erco-yves-saint-laurent-museum-in-marrakesh- erco/20004292#&gid=null&pid=4 (15,03,2022).
  • Arkitera. (2021). Access Address: https://www.arkitera.com/haber/fasta-modaya-adanmis-bir-muze/ (12,03,2021)
  • Artsandculture. (2022). Access Address: https://artsandculture.google.com/story/LwUBbZUKZGpMKQ (11,03,2022).
  • Aykut, Z. (2021). Çağdaş Müze Sergileme Mekanları & Etkileşimli Sergi Teknolojileri ve Bu Teknolojilerin Mekandaki Görünürlüğünün Tasarımı, Sergileme Tasarımı Bilim Merkezleri ve Müzeler için Bir Klavuz, Çizgi Yayınevi, İstanbul.
  • Barthes, R. (2009). Yazı ve Yorum, Metis Yayınları, İstanbul.
  • Benjamin, W. (2002). Das Passagenwerk, Pasajlar, çev. A. Cemal, YKY, İstanbul.
  • Baudot, F. (2001). Modanın Yüzyılı, Güncel Yayıncılık, İstanbul, 18.
  • Busch, O. V. (2017). Moda Praksisi, Yeni İnsan Yayınevi, İstanbul.
  • Brooklyn Museum. (2022). Access Address: https://www.brooklynmuseum.org/exhibitions/christian_dior (11,12,2022).
  • CNCS. (2022). http://www.cncs.fr/cncs (15,03,2022).
  • Crane, D. (2000). Moda ve Gündemleri Giyimde Sınıf, Cinsiyet ve Kimlik. (çev. Özge Çelik) İstanbul: Ayrıntı Yayınları.
  • Davis, F. (1997). Moda, Kültür ve Kimlik, YKY, İstanbul.
  • Dezeen. (2022). Access Address: https://www.dezeen.com/2019/01/31/va-exhibition-christian-dior-fashion- design/ (15,03,2022).
  • Dezeen. (2023). Access Address: https://www.dezeen.com/2017/05/01/rei-kawakubo-comme-des-garcons- art-of-in-between-exhibition-opens-metropolitan-museum-art-new-york/ (15,08,2023).
  • Ehrman, E. (2020). Fashioned from Nature: Addressing Sustainable Fashion in a Museum of Art and Design, Indumenta, 03-2020.
  • Erbay, M. (2011). Müzelerde Sergileme ve Sunum Tekniklerinin Planlanması. İstanbul: Beta Yayınları.
  • Exhibiting Fashion. (2023). Access Address: https://fashionexhibitionmaking.arts.ac.uk/margiela-the-hermes- years/ (12,08,2023)
  • Fogg, M. (2014). Modanın Tüm Öyküsü. Hayalperest Yayınevi, İstanbul.
  • Forbes. (2022). Access Address: https://www.forbes.com/sites/joanneshurvell/2019/07/18/unmissable-new- balenciaga-exhibition-now-open-in-madrid/?sh=64661f2d16cb (11,12,2022).
  • Gerçek, F. (1999). Türk Müzeciliği. T.C. Kültür Bakanlığı, Ankara.
  • Gökalp, Z. D. (2013). “Müze Türleri”, Müzecilik ve Sergileme. Anadolu Üniversitesi.
  • Günay, A. (2012). Giyside Sanatsal Yaklaşım, 1. Uluslararası Moda ve Tekstil Tasarımı Sempozyumu, Akdeniz Üniversitesi G.S.F. Moda ve Tekstil Tasarımı Bölümü, 08-10 Ekim 2012.
  • Hoskins, T. E. (2015), Foya Modanın Anti Kapitalist Kitabı, Ütopya Yayınları, Ankara.
  • HRP. (2022). Access Address: https://www.hrp.org.uk/kensington-palace/whats-on/diana-her-fashion- story/#gs.kz349e (15,03,2022)
  • Jodidio, P. (2011). Architecture Now! Museums, İtaly: Taschen, 6,7,18.
  • Kawamura, Y. (2016). Modaloji, İstanbul: Ayrıntı Yayınları.
  • Kipöz, Ş. (2015). Sürdürülebilir Moda, Yeni İnsan Yayınevi, İstanbul.
  • Kipöz, Ş. (2020). Modada Yavaşlık, Yeni İnsan Yayınevi, İstanbul.
  • Layer, J. (1946). Taste and Fashion from the French Revolution until Today, London, 248.
  • Leventon, M. (2005). Artwear: Fashion and Anti-fashion. New York: Thames&Hu¬dson.
  • Mackenzie, M. (2017). İzmler Modayı Anlamak, Hayalperest Yayınları.
  • Marotta, A. (2012). Typology: Museums, The Architectural Review, https://www.architectural- review.com/essays/typology/typology-museums, (10.11.2022).
  • Metmuseum. (2022a). Access Address: https://blog.metmuseum.org/alexandermcqueen/about/ (15,03,2022)
  • Metmuseum. (2022b). Access Address: https://www.metmuseum.org/press/exhibitions/1998/cubism-and- fashion (07,02,2022).
  • Metmuseum. (2022c). Access Address: https://www.metmuseum.org/exhibitions/listings/2013/impressionism- fashion-modernity (07,02,2022).
  • Metmuseum. (2022d). Access Address: https://www.metmuseum.org/exhibitions/listings/2001/jacqueline- kennedy/photo-gallery (15,03,2022).
  • Melchoir, M. R. (2011). Fashion Museology: Identifying And Contesting Fashion In Museums, Fashİon: Explorİng Crıtİcal Issues, Conference Proceedİngs, Manfield College, Oxford, İngiltere.
  • MOMU. (2023). Access Address: https://www.momu.be/en/exhibitions/maison-martin-margiela-20-the- exhibition (15,08,2023).
  • Musee YSL. (2022). Access Address: https://museeyslparis.com/en/museum (11,12,2022).
  • Museo Ferragamo. (2022). Access Address: https://museo.ferragamo.com/en (12,03,2022).
  • Museo Thyssen. (2022). Access Address: https://www.museothyssen.org/en/support/corporate- support/balenciaga-and-spanish-painting (11,12,2022).
  • O’Doherty, B. (2013). Beyaz Küpün İçinde, SEL Yayıncılık, İstanbul
  • Onur, D. A. (2020). Giyilebilir Sanat Akımı ve Kadın Sanatçıların Etkileri, Akdeniz Sanat, Vol: 14, No: 26.
  • Ökten, Z. (2020). Moda ve Ekonomi, Nobel Yayınları, Ankara.
  • Özüdoğru, Ş. (2013). Bir Sanat Biçimi Olarak Moda: Moda Sergileri ve Galeri Estetiği, Sanat Tasarım ve Manipülasyon” Uluslararası Sanat Sempozyumu, Sakarya Üniversitesi, 21-23 Kasım 2013.41-46.
  • Petrov, J. (2019). Fashion, History, Museums: Inventing the Display of Dress. London: Bloomsbury Visual Arts.
  • Simmel, G. (2003). Philosophie der Mode, Moda Felsefesi, Modern Kültürde Çatışma, İletişim Yayınları.
  • SMB. (2022). Access Address: https://www.smb.museum/ausstellungen/detail/fast-fashion/ (09,03,2022).
  • Somersethouse. (2021). Access Address: https://www.somersethouse.org.uk/whats-on/skinbones (15,02,2021).
  • Şimşek, O., Balkan, S. A. & Koca, A. (2022). The concept of synesthesia (Multisensory Perception) in spatial experience and investigation of its change with technology. Journal of Architectural Sciences and Applications, 7 (Special Issue), 40-59.
  • TATE. (2022). Access Address: https://www.tate.org.uk/art/artworks/beuys-felt-suit-t07441 (11,12,2022).
  • Theflorentine. (2022). https://www.theflorentine.net/2017/12/19/traces-exhibition-museum-fashion-costume- palazzo-pitti/ (15,03,2022).
  • Uffizi. (2022). Access Address: https://www.uffizi.it/en/pitti-palace/costume-and-fashion-museum (15,03,2022).
  • Vanska, A. & Clarck, H. (2018). Fashion Curating, Critical Practice in the Museum and Beyond, Bloomsbury.
  • Vrencoska, G. (2015). Museums Fashions Exhibitions: The Fashion Designer As An Artist And New Paradigms Of Communication With The Audience, Fifth International Scientific Conference "New space in Art and Science", European University - Republic of Macedonia, Volume: I, June.
  • Wallenberg, L. (2020). Art, life and the Fashion Museum: For a More Solidarian Exhibition Practice, Fashion and Textiles, Volume 7.
  • Waquet, D. & Laporte, M. (2011). Moda. Dost Yayınevi, Ankara.
  • Watson, L. (2007). Twentieth Century Fashion, Modaya Yön Verenler, çev. A. Güneş, Güncel Yayıncılık, İstanbul.
  • V & A. (2021). Access Address: https://www.vam.ac.uk/collections/art-deco (15,02,2021).
  • V & A. (2022a). Access Address: http://www.vam.ac.uk/content/exhibitions/exhibition-alexander-mcqueen- savage-beauty/about-the-exhibition/ (15,03,2022).
  • V & A. (2022b). Access Address: https://www.vam.ac.uk/collections/costume (12,02,2022).
  • V & A. (2022c). Access Address: https://www.vam.ac.uk/articles/inside-the-fashioned-from-nature-exhibition (13,03,2022).

Development of Fashion Museums and Fashion Exhibitions

Yıl 2023, Cilt: 8 Sayı: 2, 877 - 896, 16.12.2023
https://doi.org/10.30785/mbud.1353435

Öz

The preservation of cultural and artistic heritage, raising awareness of cultural values, elevating aesthetic and artistic values, expressing historical styles, reflecting social, cultural, and economic facets of daily life, and serving as information hubs with research opportunities are all reasons why fashion exhibitions and museums are so important. While clothing exhibitions originally took the form of ethnographic exhibitions featuring historical garments, they have now evolved into creative and dynamic exhibitions featuring the creations of modern fashion designers, installations, and sensory-appealing display spaces. In this context, the goal is to discuss the history of fashion museums, categorize and define fashion exhibitions, look at current fashion museums, and emphasize the significance of these institutions. This descriptive study reviewed clothing-fashion shows from the 2000s to the present; fashion exhibitions that incorporate on-site observations and conclusions to enrich and diversify them stylistically, contextually, and spatially are classified. By combining interesting exhibition themes, new museology, new technologies, and innovative space design, fashion exhibitions give visitors one-of-a-kind experiences.

Teşekkür

The article complies with national and international research and publication ethics. Ethics Committee approval was not required for the study.

Kaynakça

  • Abitare. (2022). Access Address: https://www.abitare.it/en/architecture/projects/2018/05/02/gucci-garden-florence/ (12,03,2022).
  • Anderson, F. (2000). Museums as Fashion Media. In Fashion Cultures: Theories, Explorations and Analysis, edited by Stella Bruzzi, 371-389, London: Routledge.
  • Antmen, A. (2013). Beyaz Küp ve Ötesi: Postmodern Dönemde Galeri Mekanının Dönüşümü, Beyaz Küpün İçinde, SEL Yayıncılık, İstanbul.
  • Architonic. (2022). https://www.architonic.com/es/story/erco-yves-saint-laurent-museum-in-marrakesh- erco/20004292#&gid=null&pid=4 (15,03,2022).
  • Arkitera. (2021). Access Address: https://www.arkitera.com/haber/fasta-modaya-adanmis-bir-muze/ (12,03,2021)
  • Artsandculture. (2022). Access Address: https://artsandculture.google.com/story/LwUBbZUKZGpMKQ (11,03,2022).
  • Aykut, Z. (2021). Çağdaş Müze Sergileme Mekanları & Etkileşimli Sergi Teknolojileri ve Bu Teknolojilerin Mekandaki Görünürlüğünün Tasarımı, Sergileme Tasarımı Bilim Merkezleri ve Müzeler için Bir Klavuz, Çizgi Yayınevi, İstanbul.
  • Barthes, R. (2009). Yazı ve Yorum, Metis Yayınları, İstanbul.
  • Benjamin, W. (2002). Das Passagenwerk, Pasajlar, çev. A. Cemal, YKY, İstanbul.
  • Baudot, F. (2001). Modanın Yüzyılı, Güncel Yayıncılık, İstanbul, 18.
  • Busch, O. V. (2017). Moda Praksisi, Yeni İnsan Yayınevi, İstanbul.
  • Brooklyn Museum. (2022). Access Address: https://www.brooklynmuseum.org/exhibitions/christian_dior (11,12,2022).
  • CNCS. (2022). http://www.cncs.fr/cncs (15,03,2022).
  • Crane, D. (2000). Moda ve Gündemleri Giyimde Sınıf, Cinsiyet ve Kimlik. (çev. Özge Çelik) İstanbul: Ayrıntı Yayınları.
  • Davis, F. (1997). Moda, Kültür ve Kimlik, YKY, İstanbul.
  • Dezeen. (2022). Access Address: https://www.dezeen.com/2019/01/31/va-exhibition-christian-dior-fashion- design/ (15,03,2022).
  • Dezeen. (2023). Access Address: https://www.dezeen.com/2017/05/01/rei-kawakubo-comme-des-garcons- art-of-in-between-exhibition-opens-metropolitan-museum-art-new-york/ (15,08,2023).
  • Ehrman, E. (2020). Fashioned from Nature: Addressing Sustainable Fashion in a Museum of Art and Design, Indumenta, 03-2020.
  • Erbay, M. (2011). Müzelerde Sergileme ve Sunum Tekniklerinin Planlanması. İstanbul: Beta Yayınları.
  • Exhibiting Fashion. (2023). Access Address: https://fashionexhibitionmaking.arts.ac.uk/margiela-the-hermes- years/ (12,08,2023)
  • Fogg, M. (2014). Modanın Tüm Öyküsü. Hayalperest Yayınevi, İstanbul.
  • Forbes. (2022). Access Address: https://www.forbes.com/sites/joanneshurvell/2019/07/18/unmissable-new- balenciaga-exhibition-now-open-in-madrid/?sh=64661f2d16cb (11,12,2022).
  • Gerçek, F. (1999). Türk Müzeciliği. T.C. Kültür Bakanlığı, Ankara.
  • Gökalp, Z. D. (2013). “Müze Türleri”, Müzecilik ve Sergileme. Anadolu Üniversitesi.
  • Günay, A. (2012). Giyside Sanatsal Yaklaşım, 1. Uluslararası Moda ve Tekstil Tasarımı Sempozyumu, Akdeniz Üniversitesi G.S.F. Moda ve Tekstil Tasarımı Bölümü, 08-10 Ekim 2012.
  • Hoskins, T. E. (2015), Foya Modanın Anti Kapitalist Kitabı, Ütopya Yayınları, Ankara.
  • HRP. (2022). Access Address: https://www.hrp.org.uk/kensington-palace/whats-on/diana-her-fashion- story/#gs.kz349e (15,03,2022)
  • Jodidio, P. (2011). Architecture Now! Museums, İtaly: Taschen, 6,7,18.
  • Kawamura, Y. (2016). Modaloji, İstanbul: Ayrıntı Yayınları.
  • Kipöz, Ş. (2015). Sürdürülebilir Moda, Yeni İnsan Yayınevi, İstanbul.
  • Kipöz, Ş. (2020). Modada Yavaşlık, Yeni İnsan Yayınevi, İstanbul.
  • Layer, J. (1946). Taste and Fashion from the French Revolution until Today, London, 248.
  • Leventon, M. (2005). Artwear: Fashion and Anti-fashion. New York: Thames&Hu¬dson.
  • Mackenzie, M. (2017). İzmler Modayı Anlamak, Hayalperest Yayınları.
  • Marotta, A. (2012). Typology: Museums, The Architectural Review, https://www.architectural- review.com/essays/typology/typology-museums, (10.11.2022).
  • Metmuseum. (2022a). Access Address: https://blog.metmuseum.org/alexandermcqueen/about/ (15,03,2022)
  • Metmuseum. (2022b). Access Address: https://www.metmuseum.org/press/exhibitions/1998/cubism-and- fashion (07,02,2022).
  • Metmuseum. (2022c). Access Address: https://www.metmuseum.org/exhibitions/listings/2013/impressionism- fashion-modernity (07,02,2022).
  • Metmuseum. (2022d). Access Address: https://www.metmuseum.org/exhibitions/listings/2001/jacqueline- kennedy/photo-gallery (15,03,2022).
  • Melchoir, M. R. (2011). Fashion Museology: Identifying And Contesting Fashion In Museums, Fashİon: Explorİng Crıtİcal Issues, Conference Proceedİngs, Manfield College, Oxford, İngiltere.
  • MOMU. (2023). Access Address: https://www.momu.be/en/exhibitions/maison-martin-margiela-20-the- exhibition (15,08,2023).
  • Musee YSL. (2022). Access Address: https://museeyslparis.com/en/museum (11,12,2022).
  • Museo Ferragamo. (2022). Access Address: https://museo.ferragamo.com/en (12,03,2022).
  • Museo Thyssen. (2022). Access Address: https://www.museothyssen.org/en/support/corporate- support/balenciaga-and-spanish-painting (11,12,2022).
  • O’Doherty, B. (2013). Beyaz Küpün İçinde, SEL Yayıncılık, İstanbul
  • Onur, D. A. (2020). Giyilebilir Sanat Akımı ve Kadın Sanatçıların Etkileri, Akdeniz Sanat, Vol: 14, No: 26.
  • Ökten, Z. (2020). Moda ve Ekonomi, Nobel Yayınları, Ankara.
  • Özüdoğru, Ş. (2013). Bir Sanat Biçimi Olarak Moda: Moda Sergileri ve Galeri Estetiği, Sanat Tasarım ve Manipülasyon” Uluslararası Sanat Sempozyumu, Sakarya Üniversitesi, 21-23 Kasım 2013.41-46.
  • Petrov, J. (2019). Fashion, History, Museums: Inventing the Display of Dress. London: Bloomsbury Visual Arts.
  • Simmel, G. (2003). Philosophie der Mode, Moda Felsefesi, Modern Kültürde Çatışma, İletişim Yayınları.
  • SMB. (2022). Access Address: https://www.smb.museum/ausstellungen/detail/fast-fashion/ (09,03,2022).
  • Somersethouse. (2021). Access Address: https://www.somersethouse.org.uk/whats-on/skinbones (15,02,2021).
  • Şimşek, O., Balkan, S. A. & Koca, A. (2022). The concept of synesthesia (Multisensory Perception) in spatial experience and investigation of its change with technology. Journal of Architectural Sciences and Applications, 7 (Special Issue), 40-59.
  • TATE. (2022). Access Address: https://www.tate.org.uk/art/artworks/beuys-felt-suit-t07441 (11,12,2022).
  • Theflorentine. (2022). https://www.theflorentine.net/2017/12/19/traces-exhibition-museum-fashion-costume- palazzo-pitti/ (15,03,2022).
  • Uffizi. (2022). Access Address: https://www.uffizi.it/en/pitti-palace/costume-and-fashion-museum (15,03,2022).
  • Vanska, A. & Clarck, H. (2018). Fashion Curating, Critical Practice in the Museum and Beyond, Bloomsbury.
  • Vrencoska, G. (2015). Museums Fashions Exhibitions: The Fashion Designer As An Artist And New Paradigms Of Communication With The Audience, Fifth International Scientific Conference "New space in Art and Science", European University - Republic of Macedonia, Volume: I, June.
  • Wallenberg, L. (2020). Art, life and the Fashion Museum: For a More Solidarian Exhibition Practice, Fashion and Textiles, Volume 7.
  • Waquet, D. & Laporte, M. (2011). Moda. Dost Yayınevi, Ankara.
  • Watson, L. (2007). Twentieth Century Fashion, Modaya Yön Verenler, çev. A. Güneş, Güncel Yayıncılık, İstanbul.
  • V & A. (2021). Access Address: https://www.vam.ac.uk/collections/art-deco (15,02,2021).
  • V & A. (2022a). Access Address: http://www.vam.ac.uk/content/exhibitions/exhibition-alexander-mcqueen- savage-beauty/about-the-exhibition/ (15,03,2022).
  • V & A. (2022b). Access Address: https://www.vam.ac.uk/collections/costume (12,02,2022).
  • V & A. (2022c). Access Address: https://www.vam.ac.uk/articles/inside-the-fashioned-from-nature-exhibition (13,03,2022).
Toplam 65 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimarlık (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Nihan Canbakal Ataoğlu 0000-0001-7110-0330

Yayımlanma Tarihi 16 Aralık 2023
Gönderilme Tarihi 31 Ağustos 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 8 Sayı: 2

Kaynak Göster

APA Canbakal Ataoğlu, N. (2023). Development of Fashion Museums and Fashion Exhibitions. Journal of Architectural Sciences and Applications, 8(2), 877-896. https://doi.org/10.30785/mbud.1353435

Cited By